additional compositions

 
Sez Who?  (New Work — Now available in the USA!)

This work was commissioned by the French publisher Gérard Billaudot as the sole American contribution to a portfolio of six commissioned works for saxophone students.  The electro-acoustic accompaniment was entirely derived from a handful of source sounds recorded using a vintage 1927 Conn bass saxophone: key clicks, key pops, multiphonics, air rushing through the instrument, tapping on the instrument, etc.  I tried to capture the spirit of youthful rebellion suggested in the title by giving the saxophonist license to honk, growl, bend or smear pitches -- all things that a traditional classical teacher would ordinarily discourage.

The whole collection is available in the US from Theodore Presser’s website. It comes with a CD that has a complete performance of all 6 of the pieces in the collection, as well as a recorded accompaniment for each work.  But you can get a preview of the work here: (WARNING! ... it has a cheesy MIDI saxophone playing the melody!)


Works published by MMB Music, Inc., St. Louis, MO
    Fire and Ice for string chamber orchestra
    Birds of a Feather for two flutes and piano
    One of a Kind for unaccompanied clarinet
    Shadow Dancing for chamber orchestra or large chamber ensemble
    Three of a Kind , a trio concerto for clarinet, piano, and percussion soloists
        (both orchestra & wind symphony versions are available)
    Rain Dance for flute and tape
    Shadow Play for flute, oboe and bassoon
    Time Traveler for cello, piano, percussion, & electronic music
    Sonic Landscapes for soprano saxophone and tape
    Sonic Landscapes for oboe and tape
    Blue 2 for flute, clarinet, violin, cello, and piano
    Summer-soft for chamber orchestra
    Intrusus for orchestra
    Turning for orchestra

Works published by Dorn Publications, Inc., Medfield, Massachusetts
    Night Vision for saxophone and piano

T. Rex is published by the International Trombone Association and distributed by Southern Music. 
    A streaming audio recording of the work is available on-line here.
    (Scroll down until you see my name and the click on the link.)